Antony Fangary Announced as Winner of the Etel Adnan Poetry Prize by Out Spoken

Out-Spoken Press is excited to be partnering with Noemi Press in the USA to extend the Etel Adnan Poetry Prize to writers of Arab heritage based in the UK.

Out-Spoken Press and Noemi Press are pleased to announce sour river by Antony Fangary as the winner of the Etel Adnan Poetry Prize for poets of Arab heritage, winning US$2000, US publication with Noemi Press and UK publication with Out-Spoken Press. 

Noemi Press, in partnership with Etel Adnan Poetry Prize co-editors and co-founders Fady Joudah and Hayan Charara, is pleased to announce that sour river by Antony Fangary has been chosen as the winner of the 2025 Etel Adnan Poetry Prize. In addition to a $2,000 prize and publication with Noemi Press, sour river will also be published under Out-Spoken Press in the United Kingdom in an effort to further amplify the work of the prize winner across readerships. 

Antony Baher Fangary is a writer, satirist, and visual artist from California. He is Co-Director of Litquake’s Elder Writing Project, Translation and Poetry Editor at Denver Quarterly, and an editor of 20.35Africa: An Anthology of Contemporary Poetry, Vol. IX (2026). He was awarded the National Endowment for the Arts Fellowship in 2023, and his poems, essays, and articles have appeared in Gulf Coast, Prairie Schooner, Eater, Collateral, New American Writing, and elsewhere. He is a doctoral student in poetry at the University of Denver and holds an MFA from San Francisco State University. 

On winning the Etel Adnan Prize, Antony says,

Winning the Etel Adnan Prize still feels surreal; I couldn’t believe it at first, and I reread the email…at least ten times. I love Etel's work, and spent a great deal of time biking up and down Mount Tamalpais, knowing Etel loved it there. I still listen to Etel Adnan’s interviews and revisit her writing and paintings often, so winning a prize named after her feels like something beyond language. 

Even more surreal is that I will be able to work with Farid Matuk, Fady Joudah, and Hayan Charara on my book; three poets who have deeply influenced me. I feel that every part of this prize is a gift, as I really admire the poets that Noemi Press and Out-Spoken Press publish, and having a book with either would be a dream come true; but having a book with both of them is unimaginable. I suppose I am struggling to find the words because I never thought something like this would happen; all I know is I can't wait to ride my bike through Mount Tamalpais again.” 

Farid Matuk, judge of the 2025 prize, says of sour river,

There is a terrible impulse among U.S. poets to offer in our poems the critique that will ransom our language. There is an equally terrible impulse to pretend that we don't have to. I’d hoped for but never found a secret third thing, until I read sour river.”

The Etel Adnan Poetry Prize celebrates the legacy of Etel Adnan by publishing a first or second book by a writer of Arab heritage. Since 2015, the series has sought to celebrate and foster the writings and writers that make up the vibrant and diverse Arab community. This is the first winner of the Etel Adnan Poetry Prize since the partnership with Noemi Press and Out-Spoken Press began in 2025. The 2026 Etel Adnan Poetry Prize will open in September 2026.

About the Etel Adnan Poetry Prize

Though poets of Arab heritage have been writing in English for more than a century, little attention had been paid to these poets as a community. In 2008 the publication of Inclined to Speak, an anthology of contemporary Arab American poetry edited by Hayan Charara and published by the University of Arkansas Press, brought attention to the diversities and talents of this already established but growing group of poets.

Since the anthology’s publication in 2008, many more new poets of Arab heritage have emerged, and their work continues to challenge and reinvent not only the aesthetics they have inherited but also the very notions of what it means to be Arab or Arab American. Hayan Charara and Fady Joudah, themselves celebrated poets, felt the time was ripe for a series that simultaneously valued the larger community to which these new poets belonged, as well as their engagement with new and innovative poetics. From 2015 to 2024, the prize was published through the University of Arkansas Press.

With the move to Noemi Press in 2025, to extend the prize to Anglophone writers of Arab heritage outside the US and amplify the prize winners across readerships, Out-Spoken Press is pleased to partner with the Prize to offer publication and distribution of the winning books in the UK.

Announcing our Out-Spoken Press 2025–26 List by Out Spoken

We’re delighted to announce that we have acquired collections from Nikesh Shukla, Simon Maddrell and Natalie Shapero to complete Editor Anthony Anaxagorou’s 2025-26 Publishing List alongside debuts by Maya Caspari, Joladé Olusanya and Madeleine Kruhly.

Out-Spoken Press editor, RSL Ondaatje Prize winner Anthony Anaxagorou, has acquired UK rights to the debut poetry collection, juice: nine rasas, by award-winning novelist and screenwriter Nikesh Shukla, scheduled for publication in 2026, from Davinia Andrew-Lynch at Andlyn Literary.

Anaxagorou has also acquired UK rights to a new full-length poetry collection forthcoming in September 2025 from award-winning US-poet Natalie Shapero, directly from the author. North American rights were acquired by Copper Canyon Press. The Press also acquired worldwide rights to the debut full collection by Simon Maddrell, directly from the author. 

Anaxagorou’s list is completed by debut works from Maya Caspari, Joladé Olusanya and Madeleine Kruhly all scheduled for publication in 2025.

Out-Spoken Press Editor Anthony Anaxagorou says:

“Curating a list is one of the most challenging aspects of any editor's job. I believe this cohort of poets have produced work which captures the many different facets of our cultural moment. These books, even in their infancy, stayed with me long after I’d finished reading them, and i’m certain they will find ways to stay with other readers too.”

Out-Spoken Press, shortlisted for Small Press of the Year at the British Book Awards in 2020, 2021, 2022 and 2024, has been awarded Arts Council England funding, and recent titles have been shortlisted for the Forward Prizes in 2023 and 2024 and the Folio Prize in 2023. 

EPDS 2023-24: Poet Focus by Out Spoken

We’ve been fortunate enough to work with the following four emerging poets over the last year, and want to share some of their work with you:


Courtney Conrad

Courtney Conrad is an award-winning poet born and raised in Jamaica and currently based in London. Migrating from Kingston as a teenager, Courtney’s poetry interlaces subversive diasporic image, national political commentary and shatteringly personal narrative. 

Courtney’s work is published widely – read her poem ‘Final Destination’ in Propel Magazine here: https://www.propelmagazine.co.uk/courtney-conrad-final-destination

Her debut pamphlet I Am Evidence (Bloodaxe Books/Mslexia, 2023) was the winner of the 2022 Mslexia Women’s Poetry Pamphlet Competition judged by Imtiaz Dharker, and the 2023 Michael Marks Poetry Award. 

Courtney Conrad, what an outstanding, original voice! These poems bear (unbearable) testimony and witness. This is work so rooted and yet transportive, utterly transformative.
— Rachel Long

Emily Abdeni-Holman


Emily Abdeni-Holman is a British-Lebanese writer. She grew up in Warlingham (UK) and Jamhour (Lebanon), and worked as an arts and culture writer in Beirut before pursuing a doctorate in literature in the UK. Her first novel, At the Pine House, takes place in Jamhour in the 1960s-70s. She currently lives in Cambridgeshire.

Emily published Body Tectonic with Broken Sleep Books in July 2024. Spanning the first three years of Lebanon’s economic crisis, from October 2019 to October 2022, Body Tectonic is an experiment in news poetry, exploring what it’s like bodily when the ground shifts daily beneath your feet.

this humane and intelligent work examines at first hand matters laid within our history that ‘cannot be undone’ – and the ways in which, in the face of crisis, the human body ‘knows all over again what’s real’.
— Gregory Leadbetter

Jane Thomas

https://www.janethomas.org/

Jane Thomas is from The Wirral and is passionate about words, health inequalities, and interbeing. She has been highly commended in the Bridport, Fish, Live Canon, Hippocrates, and The Rialto Pamphlet competitions, and published in Stand, Mslexia, Urthona, Rialto, Envoi and The ORB.  She is currently completing a collection on the theme of Alzheimer’s.

Jane’s poem ‘My Father in a Coracle’ was runner-up in the Poetry Society’s 2023 Stanza Poetry Competition on the theme of 'Refuge':

The first runner up portrays a father circling his own mind, as if in a coracle; an unforgettably tender description of the failing brain as a ‘boat-for-one’
— Judge, Gwyneth Lewis

Alex Mepham

https://amepham.carrd.co/

Alex Mepham is a PhD student investigating how background noise impacts speech understanding. Alex’s work has been published in The Stinging Fly, Under the Radar, PROTOTYPE, fourteen poems and more. Read ‘Memorial’ by Alex Mepham on berlin lit here: https://www.berlinlit.com/memorial/

Alex’s poem ‘Dark Matter’ won third place in this year’s Disabled Poets Prize:


Explore our 2024 Catalogue by Out Spoken

As we hit the midway point of 2024, we’re looking back at the titles we are so proud to have published so far this year:

Find out more about each of these, including sample poems, and about what we have coming up for Autumn in our 2024 Catalogue below, or download a PDF copy here.

This is not a review, this is not a blurb: Bhanu Kapil on [...] by Fady Joudah by Out Spoken

This is not a review or a blurb: Some words in support of [...] by Fady Joudah

Who do petals belong to?  How are they named? Imagine petals that look away, that don't socialize in the way you expect a petal to love or mourn or listen. Imagine petals organzing to form a bridge. To where?  From what?  In the logic of Fady Joudah's sequence, the petals "kept my toes warm," but only after they "ate the worms." So, what is this?  It's what you think it is. What eats what's eating your dead becomes silk, cotton, wool or "gauze." It becomes a covering, a woven cloth.  Who weaves it?  The petals?  The petals coat or warm a posture so exposed that it both precedes and out-dates life.  Suddenly, the voice of this poem is the voice you never expected or wanted to hear in this context. It's the voice of the one who will never return in their given form, or arrive. Are the petals performing, without performing anything, the construction of a shroud? In these poems that can't be aftermath (in conditions that do not end), the beloved's "open heart" is also a face with "two ears, two eyes. One set for breath, one for blood."  I'm so moved by the potential of a wound to become a face, to exert a possibility beyond the recognition that accompanies it, always, in the imaginations of others. But also: "If you read this and can hear me," writes Joudah, what's that smell?" Is this an interview?  And if this is an interview, then the poet is archiving what we are never meant to know, just as the messages of our internal organs are dormant until something is wrong. Only then do we experience an impossible sensation. On page 77 of this collection, a collection written by a doctor, a translator of the poems of Mahmoud Darwish (among others), a poet who has lost over a hundred members of his family in the Israeli bombardment of Gaza, a collection written in one long and broken sitting in the Autumn of 2023, comes the "Dedication," a poem or beyond-poem that changes what feels possible for a poem, or book of poems, in the current era. Is this an era? No, once more, as Joudah reminds us, eras time out. This collection is not a primordial art work. Instead, it is written in the present and in the future, simultanously. Joudah dedicates his book: "To those who will be killed on the last day of  the war. To those who will be killed on the first day after the war ends. To those who succumb in the humanitarian window of horror." Reading these words is to stop reading. To continue reading in another way. 

"I am not your translator." -- Fady Joudah.

This is not a review, and it's not a blurb. 

[…]

Bhanu Kapil, Fellow of the Royal Society of Literature


With thanks to Bhanu for providing these liberated and liberating words of support.

[…] by Fady Joudah is published on 21 March 2024 and is available for pre-order here.


Bhanu Kapil is the author of six books: The Vertical Interrogation of Strangers (Kelsey Street Press, 2001), Incubation: a space for monsters (Leon Works, 2006; forthcoming in a new edition from Kelsey Street Press, 2022), humanimal [a project for future children] (Kelsey Street Press, 2009), Schizophrene (Nightboat Books, 2011), Ban en Banlieue (Nightboat Books, 2016), and How To Wash A Heart (Liverpool University Press, 2020).  How To Wash A Heart was the winner of the TS Eliot Prize and a Poetry Book Society Choice. Kapil is the recipient of a Cholmondeley Award from the Society of Authors and a Windham-Campbell Prize for Poetry from Yale University, and is a fellow of Churchill College, Cambridge.

Announcing our Out-Spoken Press 2024 List: Titles from Fady Joudah, Azad Ashim Sharma, Jay Gao, Rebecca McCutcheon, Rojbîn Arjen Yigit & Juana Adcock by Out Spoken

We are pleased to share with you our 2024 poetry list, including an urgent and timely collection of poems by prominent Palestinian American poet Fady Joudah — […], forthcoming 21 March 2024 — and the third poetry collection by Azad Ashim Sharma — Boiled Owls, forthcoming 18 April 2024 — alongside titles by Jay Gao, Juana Adcock, Rebecca McCutcheon and Rojbîn Arjen Yigit.

Out-Spoken Press Editor Anthony Anaxagorou says:

With all the horrors taking place at the moment, the poets in our forthcoming list offer insight, artfulness and integrity, at a time when so many of us may feel withdrawn and hopeless. From war, displacement, climate breakdown and psychological trauma, these particular books reflect on what it means to not only be alive in the world, but to survive it.
— Anthony Anaxagorou

Fady Joudah’s [...] is  a raw, weighted account engaging largely with the diasporic experience as a Palestinian American, and will be published in March. Joudah is a prominent Palestinian American physician and poet, and a winner of the Griffin Poetry Prize, a Guggenheim Fellowship, and the Arab American Book Award. On the title of [...] Joudah says: “I wrote the bulk of this collection between October and December of 2023. I could not imagine a title for the book or for most of its poems in a time of extermination. The text of the poems already says enough. The text also betrays a necessary silence. And yet the silence in the book is the silence that the reader, listener, recipient should practice. In some moments I share this silence with them, and they with me. In many moments, however, the silence is solely their task. The ellipsis in brackets highlight the space in which a Palestinian speaks and others listen.”

Editor Anaxagorou acquired UK and Irish rights to [...] from Tanya McKinnon of McKinnon Literary. North American rights were acquired by Milkweed Editions.

 

Azad Ashim Sharma’s third collection, Boiled Owls — described by Bhanu Kapil as “a stunning rendition of “half imaginary geography,”’ — demystifies drug addiction, alcoholism, depression, and anxiety whilst thinking through their relation to capitalism and its resistance, the family, and a writer’s compulsion to write, and will be published in April.

Anaxagorou acquired UK and Irish rights to Boiled Owls from Suresh Ariaratnam at Spring Sultan.

The Press has acquired rights to Juana Adcock’s fourth collection, I Sugar The Bones, forthcoming October 2024. UK and Irish rights acquired by Anaxagorou directly from the author.

Anaxagorou’s 2024 list is completed by a new title, Bark, Archive, Splinter, by award-winning poet Jay Gao, and debuts by Rebecca McCutcheon and Rojbîn Arjen Yigit.

Poets for Palestine: Recording by Out Spoken

Recording of Poets for Palestine online fundraiser for Medical Aid for Palestinians on 30 October 2023.

We request that if you would like to watch the event, please make a donation to to MAP here:: https://www.map.org.uk/donate/donate

Poets for Palestine come together to express their unwavering support and solidarity to all those affected by the tragic conflict in the region. Like so many of you we feel distraught and helpless as events continue to unfold, with thousands of Palestinian civilians, half of whom are children, now dead or in desperate need of aid following Israel's breaches of international law and the Geneva Convention.

This event included short readings and pre-recordings from prominent international poets who have openly supported the rights of Palestinian people, and called to end Israeli occupation, as well as a conversation between Shareefa Energy and Nabil Al-Raee, speaking from the West Bank to what is happening there.

A document containing details of and links to the poems read, and other useful links, can be found here: https://docs.google.com/document/d/1eZJ33A4yKUcRVhkwxgTBpf7-AkQwXWsBzjtmky3d_3Y/edit?usp=sharing

The evening was hosted by Hanan Issa, and readers include: Lowkey, Chen Chen, Omar Sakr, Mira Mattar, Victoria Adukwei Bulley, Leone Ross, Zaffar Kunial, Natalie Shapero, Zeina Hashem Beck, Joelle Taylor, Jay Bernard, Yousif M. Qasmiyeh, lisa luxx, Shareefa Energy, Alycia Pirmohamed, Rebecca Tamás, Nuar Alsadir, Sanah Ahsan, Maryam Hessavi, Azad Ashim Sharma, Sandeep Parmar, AK Blakemore, Juana Adcock , So Mayer, Inua Ellams, Eve Esfandiari-Denney and Adam Kammerling.

Event organised by Out-Spoken Press, with the support and solidarity of our independent publisher friends at Makina Books, The 87 Press, Hajar Press, Broken Sleep Books, Haymarket Books, Saqi Books, Pamenar Press, Prototype and Bloodaxe Books.

Out-Spoken Press Named Finalist for the British Book Awards Small Press of the Year 2022 by Out Spoken

The British Book Awards 2022 Small Press of the Year Regional Finalist #BritishBookAwards

We’re absolutely delighted to have been shortlisted for the British Book Awards Small Press of the Year Award for the third year running!

After running on adrenaline for much of 2020, 2021 was, for us as for most—between the pandemic, Brexit and supply chain issues—a tough one, and it’s great to be on this list alongside so many great small presses both in London and across the UK (and we’re always not-so-secretly particularly rooting for comrades-in-poetry Carcanet, Fly on the Wall Press and Arachne Press.)

You can read the full shortlists on The Bookseller here.

"This was small press publishing at its best, smart and nimble, with amazing attention to detail, and always with an emphasis on the reader at the heart of it all." — Philip Jones, editor of The Bookseller and chair of the judges